EARTH KOSMOS
Building a world of art, stories, and ecological imagination for the living planet.
Founding Artist
Manohar Chiluveru
Artist-Creator of EARTH KOSMOS
Manohar Chiluveru is an Indian visual artist, sculptor, author, and creative entrepreneur based in Hyderabad, India. His multidisciplinary practice moves across painting, sculpture, public art, performance, live painting, storytelling, installation, and cultural imagination.
For more than two decades, Manohar has explored the relationship between human emotion, collective identity, mythology, ecological awareness, public participation, and the living environment. His work often moves beyond the object, entering public spaces, participatory situations, and cross-cultural conversations where art becomes a shared experience.
He is known for large-scale live painting events, sculptures, public installations, and participatory art projects. His artistic language is rooted in movement, relational aesthetics, public interaction, and global cultural exchange. Across his practice, recurring concerns include connectivity, balance, identity, emotional memory, and the fragile relationship between people, place, and the planet.
Manohar’s work has been presented in India and internationally, including projects associated with Imago Mundi’s “Map of the New Art” at the Venice Biennale 2015, Rome Art Week, Manifesta 12 Collateral in Palermo, Pune Biennale, MACRO Museo d’Arte Contemporanea di Roma, and other cultural platforms. His earlier travel-based project ODYSSEY explored art, cities, public engagement, and cross-cultural encounters, while Hope Kosmos used art as a medium for healing, solidarity, community, and shared resilience.
As the artist-creator of EARTH KOSMOS, Manohar is expanding his practice into a global art and storytelling universe where painting, sculpture, fiction, cinematic stories, exhibitions, climate imagination, and public dialogue come together. The project asks how creative culture can help people feel, understand, and care for the living planet.
